A poetic journey tracing three generations from the Nakba to today’s Gaza.
Told through the voice of a young narrator, Abubaker, it weaves loss, memory, art, and resistance into a story of survival. From a village erased to a rose blooming in rubble, this is not just a story of war.
It’s a story of life.
Of dreams buried and still blooming.
Of a people who refuse to be numbers.
Reconstruction Method
The VR experience was reconstructed through oral testimony, archival imagery, spatial memory, historical research, and environmental reconstruction methods.
The narrative structure is primarily based on testimonies from displaced families originating from Beit Daras, including the memories of Abubaker Abed’s family.
Read Sources
The testimonies describe daily life before displacement,
the attack on the village,
the journey southward,
and the early years inside refugee camps.
P32 from Ramzy Baroud, My Father Was a Freedom Fighter: Gaza’s Untold Story (2010)
P32 from Ramzy Baroud, My Father Was a Freedom Fighter: Gaza’s Untold Story (2010)
P32 from Ramzy Baroud, My Father Was a Freedom Fighter: Gaza’s Untold Story (2010)
Chapter6 Ahmed Alnaouq, “Just Like That: Life and Death in Gaza/from Deluge Jamie Stern-Weiner (2024)
Village structures and environmental spaces were reconstructed through archival photographs, historical maps, regional architectural references, and oral spatial descriptions.
View Reconstructions
Sound was used not only to recreate physical environments, but also to reconstruct emotional transitions across generations. Layered ambient sound combined wind, birds, distant shelling, sea ambience, and shifting spatial textures to reflect movement between ordinary life, displacement, memory, and uncertainty.
Read Method
The Taraweeda are songs that have carried joy, longing, and defiance across generations — and were even used as a coded language of resistance during the Palestinian struggle.
Traditional Zaghrouta celebrations were used during moments connected to collective joy, weddings, and public gathering. Within the VR experience, Zaghrouta appears as fragmented echoes of celebration of new birth.
The sound of the drone “Zanana” was layered into the atmosphere as a persistent sonic presence over Gaza. Unlike sudden explosions, the drone operates through duration and anticipation, remaining constantly audible above daily life. Its inclusion reflects how occupation can become embedded within ordinary sound environments.
Fragments from Yasser Arafat’s speech during the Oslo Accord celebrations at the White House were incorporated into the soundscape as historical markers of political hope and expectation. The speech appears briefly within the VR environment, contrasting later sound layers shaped by surveillance, war,and displacement.
Some locations, objects, and environmental details could not be reconstructed precisely due to erased archives, fragmented documentation, and interrupted historical continuity.
Read Note
People and Places

Abubaker Abed is a Palestinian Journalist, and a third-generation descendant of the demolished village of Beit Darras, Abubaker’s perspective is rooted in his grandfather’s expulsion during the 1948 Nakba. Though he set out to be a sports commentator, the onset of the current genocidal campaign in Gaza transformed him into an “accidental war correspondent.” Reporting from Deir Al-Balah, Abubaker turns a critical lens on the conflict, ensuring that the international community sees not just the destruction of the present, but the enduring spirit of a people who have survived seventy-eight years of displacement.
Beit Daras was once a thriving Palestinian village 46 kilometers northeast of Gaza, where 3,190 residents lived. Life was defined by the rhythm of the harvest and the call to prayer from its two central mosques and schools.
However, the peace shattered on March 27, 1948, when heavy shelling devastated the crops and claimed the first nine lives. By May 11, the village became a primary target of the Jewish militia to trigger an exodus. Despite a fierce defense by locals, the village fell. Fifty casualties were recorded in the attack, and as families fled toward Gaza, accounts describe a harrowing massacre of those trying to escape.By 1950, the mosques and schools were demolished, replaced by the moshavim Givati, Azrikam, and Emunim. Today, only wild cactus and eucalyptus trees mark the site of a Beit Daras.The surrounding fields are cultivated by Israeli settlements


Deir El-Balah refugee camp is the smallest refugee camp in the Gaza Strip. It is located on the Mediterranean coast, west of a town of the same name, in central Gaza. Deir al-Balah means ‘Monastery of the Dates’, a reference to the abundant date palm groves in the area.
Deir El-Balah camp initially provided shelter to Palestine Refugees who had fled from villages in central and southern Palestine, as a result of the 1948 War. The refugees originally lived in tents, which were replaced by mud-brick shelters and, later on, by cement block structures. Now 28,227 Palestine Refugees are registered with UNRWA in the camp.


